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Holding on to the Air: An Autobiography - Inspiring Memoir of Perseverance & Dance | Perfect for Ballet Enthusiasts & Aspiring Dancers
Holding on to the Air: An Autobiography - Inspiring Memoir of Perseverance & Dance | Perfect for Ballet Enthusiasts & Aspiring DancersHolding on to the Air: An Autobiography - Inspiring Memoir of Perseverance & Dance | Perfect for Ballet Enthusiasts & Aspiring DancersHolding on to the Air: An Autobiography - Inspiring Memoir of Perseverance & Dance | Perfect for Ballet Enthusiasts & Aspiring Dancers

Holding on to the Air: An Autobiography - Inspiring Memoir of Perseverance & Dance | Perfect for Ballet Enthusiasts & Aspiring Dancers

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Product Description

Suzanne Farrell joined the New York City Ballet in 1961 and went on to become one of George Balanchine's most celebrated muses. By the time she retired from performing in 1989, she had achieved a career without precedent in the history of ballet. She danced over one hundred ballets, a third of which were composed expressly for her by Balanchine, Jerome Robbins, and Maurice Bejart, including masterpieces in which the limits of ballet technique were expanded to a degree not seen before. As a repetiteur for the George Balanchine Trust, she has staged Balanchine ballets for companies throughout the United States, as well as for the Royal Danish Ballet, the Kirov Ballet, and the Bolshoi Ballet. In 1999 she staged a week-long season of Balanchine for the Kennedy Center for the Performing Arts in Washington, D.C., which led to the creation of the Suzanne Farrell Ballet as an ongoing partnership with the Center. Farrell joined the faculty of the Department of Dance at Florida State University as a Francis Eppes Professor in 2000. She is the recipient of honorary degrees from several universities, including Yale, Georgetown, and Notre Dame.

Customer Reviews

****** - Verified Buyer

For lovers of ballet and Balanchine, a must read. While this may be Ms. Farrell's story, it almost reads like Balanchine's story, or at least a memoir from a significant chapter of his life. All in all, it's a love story about love on a spiritual level, between Ms. Farrell and dancing, Ms. Farrell as muse took Balanchine, and about a romantic love story that might have ended in a traditional manner if not for fate and the fact that the relationship they shared ultimately found itself flourishing in the practice rooms and the stage of the NYC Ballet.One criticism. The book was longer than necessary, largely due to her constant and effusive praise of Mr. B as the most important person in her life, making it feel redundant on occasion. Otherwise, a wonderful glimpse into the drive, dedication, and the devotion it takes to be a master in the demanding world of ballet.